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Interstate Avenue: Mel’s Motor Inn, 2002
Ink, dye, graphite on board. 6.5″ x 8.5″
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Southeast 82nd Avenue Strip Mall, 2002
Ink, dye, graphite on board. 6.5″ x 8.5″
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Southeast 82nd Avenue Parking Lot, 2002 Ink, dye, graphite on board. 6.5″ x 8.5″
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Channel Marker, 2002 Ink, dye, graphite on board. 6.5″ x 8.5″
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Pumping Station, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Parking Lot Exit, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Agate Beach Under Highway 101, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Interstate Avenue: Palms Motel, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Interstate Avenue: Westerner Motel, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Parking Lot, Overlook, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Interstate Avenue Removed, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Construction on North Interstate Avenue, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Rose City Park Back Yard, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Oncoming Traffic on Southeast Capitol Highway, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Store Under Construction, Jantzen Beach Mall, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Grocery Store Parking Lot, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Hop Field 25, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Spiral Walkway over Going Street, 2002
Ink, dye, graphite on board. 4.25″ x 6.5″
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Marquam Bridge IV (Sheridan Street Exit), 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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O’Hare Airport Gate C19, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Somewhere Between PDX and BWI, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Red Ship, Kelley Point Park, 2002Ink, dye, and graphite on board. 5″ x 9″
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Former Parking Lot, Southeast 82nd Avenue, 2002
Ink, dye, graphite on board. 5″ x 9″
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Four Roads (Marine Drive), 2002Ink, dye, graphite on board. 4.25″ x 12″
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An Hour on Highway 18, 2002Ink, dye, graphite on board. 12″ x 4.25″
Things that Go is the title of a children’s book that features various forms of transportation. The phrase also refers to transition, impermanence and the passage of time.
These paintings continue my observations of three themes: structures related to travel and transportation, the relationship between Portland’s constructed and natural environment , and moments of accidental significance within everyday routine.
Six years ago, my work documented an ongoing road trip that came to an unexpected halt in Portland. The road took on new meaning as my experience of Portland changed from a random and temporary destination to a place where my family, career and community began to develop. If I covered a hundred miles in a day, it no longer meant that I had found a new and compelling place to explore: it meant that mundane errands had taken me all over the city, and I would end the day exactly where I had started.
Well, maybe not exactly where I had started. The places we call home can be altered radically by unseen events. The social, cultural and historical forces that lead to a city’s physical transformation do not necessarily manifest as bulldozers outside the door. Some of the structures and places in these paintings seem unchanging and quiet, maintaining an illusion of stability. Some are already gone. Sometimes the sky gives the only clue that time is passing.