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Two Hillsides, 2003Ink, dye, graphite on board. 8.5″ x 5.25″
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Ohio and Indiana, 2003Ink, dye, graphite on board. 8.5″ x 5.25″
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Over and Under the Fremont Bridge, 2003Ink, dye, graphite on board. 8.5″ x 5.25″
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Snake River, 2003Watercolor pencil, ink, graphite on paper. 4.25″ x 6.5″
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Highway 30, PA, 2003Watercolor pencil, ink, graphite on paper. 4.25″ x 6.5″
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Cleveland, 2003Watercolor pencil, ink, graphite on paper. 4.25″ x 6.5″
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Hawthorne and Marquam BridgesWatercolor pencil, ink, graphite on paper. 4.25″ x 6.5″
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St, Johns, 2003
Ink, dye, graphite on board. 4.25″ x 6.5″
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Magee Pool, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Magee Field, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Magee Field 2, 2002Ink, dye, graphite on board. 4.25″ x 6.5″
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Homestead, PA, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Manitoulin Ferry, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Breezewood, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Dock Under Hawthorne Bridge, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Centre County Lake, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Astoria, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Allegheny Lighthouse, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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American Falls Reservoir, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Erie Boatyard, 2003Ink, dye, graphite on board. 4.25″ x 6.5″
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Lake 15, Nebraska, 2003Ink, dye, graphite on board. 4.25″ x 10.5″
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Astoria and Boardman, 2003Ink, dye, graphite on board. 4.25″ x 10.5″
In the summer of 2002, I moved from Portland to Pittsburgh. In the summer of 2003, I travelled back to the Northwest to visit Portland. Three Rivers and Other Watery Places is a collection of paintings of the past year.
Several of these paintings record my first impressions of my unfamiliar new home in western Pennsylvania: many of these images are of things literally out of their element. Other paintings record the transition of seasons, climate, and human interaction, especially along waterways, and west along US Highway 30 and the interstate highways that overtake it.
Water has long been used as a metaphor for inevitable change and the passage of time: you can’t step into the same river twice, the saying goes. But can you step into the same road twice? Single images of bridges, construction sites, and other intermediate structures continue to explore transitions in the landscape, while two-panel narratives represent a geographical or temporal change in which the viewer is the impermanent element.