Pernoctalian

July 29, 2011

North Albina Street

Filed under: ,2011,night,portland,Surrounded by Water — lli @ 6:18 pm

ink, dye and graphite on board

4.25″ x 6.5″

Green Morrison Bridge

Filed under: ,2011,bridges,portland,Surrounded by Water,works on paper — lli @ 6:14 pm

monotype

12.5″ x 18.5″

January 18, 2010

Salem Carousel

Filed under: ,2010,northwest — lli @ 8:56 pm

Salem Carousel ink, dye and graphite on board

4.25″ x 6.5″

June 1, 2009

March 23 IV: Hawthorne Bridge

Filed under: ,2009,bridges,Park,portland,water — lli @ 5:18 pm

March 23 IV: Hawthorne Bridge

ink, dye and graphite on board

4.25″ x 6.5″

 

May 5, 2009

March 23 III: Dock

Filed under: ,2009,bridges,Park,portland,water — lli @ 4:23 pm

07_dockink, dye, graphite on board

4.25″ x 6.5″

March 27, 2009

2009 show news

Filed under: — lli @ 11:39 am

I’ve just returned from a short, wonderful trip to Portland as part of the preparation for my new show at Froelick Gallery. There will be even more paintings up soon, as well as details about the new show.

January 1, 2008

Review

Filed under: ,2007,Interstate Bridge — lli @ 1:36 pm

Interstate Bridge was reviewed by D. K. Row last week in the Oregonian‘s online and print editions. (Full review behind link.)

Each work, even those set in daylight, seems caught at a midnight hour that will stay eternal…On one level, Wilburn is interested in documenting the life of the bridge, but on another, she merely uses the bridge as a shifting metaphor, an embodiment of life’s varied, mundane and limitless activity.

December 11, 2003

Three Rivers and Other Watery Places: Froelick Gallery, October 2003

Filed under: ,2003,Three Rivers and Other Watery Places — lli @ 9:50 pm

In the summer of 2002, I moved from Portland to Pittsburgh. In the summer of 2003, I travelled back to the Northwest to visit Portland. Three Rivers and Other Watery Places is a collection of paintings of the past year.

Several of these paintings record my first impressions of my unfamiliar new home in western Pennsylvania: many of these images are of things literally out of their element. Other paintings record the transition of seasons, climate, and human interaction, especially along waterways, and west along US Highway 30 and the interstate highways that overtake it.

Water has long been used as a metaphor for inevitable change and the passage of time: you can’t step into the same river twice, the saying goes. But can you step into the same road twice? Single images of bridges, construction sites, and other intermediate structures continue to explore transitions in the landscape, while two-panel narratives represent a geographical or temporal change in which the viewer is the impermanent element.

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