84, 30, 4, 14

84, 30, 4, 14 will open at Froelick Gallery  on July 16th, 2013. There will be a First Thursday reception on August 1st.

“We travel with the hope that something unexpected will happen.” -Andrew Bird

When I go out to make sketches and photographs for a painting, sometimes I wind up painting the structure that was my intended destination, and sometimes I find accidental landscapes, where light and weather have temporarily transformed a random spot by the side of the road. I usually find those places because I am waiting for something, because the trip has gone awry in some way. What I was waiting for becomes less interesting than what I am looking at.

The hope for something unexpected applies to the technical process of creating the art in the show as well. When I interpret the same subject using different media (intaglio, monotype, dye paintings, as well as the preliminary images) I find that each method expresses a different mood or approach, and has different surprises.

The show is named for four of the highways that parallel the Columbia River.

Special thanks to Gabriel Liston and Jane Pagliarulo at Atelier Meridian for their technical assistance and encouragement.

Surrounded by Water, Froelick Gallery, 2011

The work in Surrounded by Water is a record of my first year living back in Portland, after eight years of visiting only in the summer. Moving back here gave me ample opportunity to explore and paint bad weather, high rivers and cloudy night skies. During the winter I was able to see familiar bridges from unfamiliar vantage points. As the seasons changed I made several studies of one location- a railroad bridge and flooded turnaround on Hayden Island Drive.

Several of the paintings and prints in this show were inspired by two group expeditions- a tour of four bridges made possible by Regional Arts and Culture Council and Atelier Meridian, and a tour of West Hayden Island led by the Bureau of Planning and Sustainability. I choose specific locations in Portland largely for the way their formal visual qualities evoke a certain mood, but those places acquire new meanings when I learn their history, ecological significance or engineering details. Usually, I don’t find out about those things until long after a painting is finished. By taking the opportunity to tour parts of Portland usually closed to the public, I was able to see favorite subjects in a new way.

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